I had the opportunity to photograph and review Green Day
last week at the Venue Formerly Known As Great Woods and while I’m not allowed
to publish my photos anywhere other than the review I wrote for Glide Magazine,
I took plenty of shots of the opening act, Catfish and the Bottlemen, that are
too fun not to share. Enjoy!
Not Your Sunday Times
Hosting the work and commentary of Andrew Bruss
Featuring the works and commentary of Andrew Bruss
Sunday, September 3, 2017
Friday, June 19, 2015
The Pixies close down T.T. the Bears place: It's educational!
Monday, May 25, 2015
Boston Called. We Answered
Boston Calling keeps outdoing itself, and as a result, they’re
raising their own bar in a way they may regret. I can’t say enough how proud I
am that the city I love has an event that is so prominent that is thriving and
growing. They say the news is the first draft of history and it's been an honor helping to tell the story of this festival as it continues along.
The City of Boston deserves Boston Calling and the folks at Crash Line
Productions have earned Boston’s loyalty. Here’s to September!
Monday, December 30, 2013
In Memoriam: Benjamin Curtis - 1978-2013
It’s with deep sadness I report that Benjamin Curtis of The
Secret Machines passed away today at the age of 35 as a result of his yearlong
battle against cancer. The bulk of the news articles being published pay the
most attention to his recent project, School of Seven Bells, but it was his
work alongside his brother, Brandon, and Josh Garza in The Secret Machines that
will always endear him to me.
After being utterly floored by TSM’s late night performance
at Bonnaroo in the summer of 2005, the budding music journalist in me wanted
nothing more than a shot at these guys. Their publicist at Warner Brothers told
me she’d give me access if I’d provide some press for Taking Back Sunday. I
played ball.
While this horse-trading was an unpleasant intro to the
music industry, one on one, Benjamin was as kind and gentle as an artist can
be. I had the chance to interview him and his band mates on a few different
occasions and he always remembered me and thanked me for my coverage. The
reporter in me these days brushes things like this off as an attempt to gain
favor with the media, but as a 19 year old who could barely hold the recorder
straight, this meant a lot to me. He was my first interview.
In 2007, Benjamin left TSM at their height to join School of
Seven Bells, a group that he got more professional success out of, and he never
played with The Secret Machines again.
The national blogs are focusing on his work with School of
Seven Bells and the hometown press from Dallas are making note of his work with
local acts like UFOFU and Tripping Daisy but The Secret Machines remains one of
my favorite acts of the early 2000’s. It always disappointed me that the group
sort of fizzled out when they had such potential but for as long as it had been
since they’d made any news, The Secret Machines’ Now Here Is Nowhere remains one of my favorite albums of all time.
Benjamin was an innovative guitarist with a sound all his
own, a voice that radiated with warmth, and a kind presence that endeared him
to fans.
He will be missed.
Wednesday, November 13, 2013
Cover Your Ears: My Bloody Valentine
I don’t like to write reviews in first person, but in case
my article didn’t speak for itself, My Bloody Valentine was by far the loudest
concert I’ve ever attended. GWAR, Metallica, Rage Against The Machine and The
Black Crowes all have nothing on these gentle looking Anglo’s.
I went into greater detail in my Jambase review but lets
just say I still hear ringing…
Monday, October 21, 2013
PolicyMic: Pearl Jam
I’ve enjoyed writing for music publications such as Relix
Magazine and Jambase.com for years and with some luck, I’ll continue to report
for them for years to come. Today, however, marks a new benchmark in my career
as a music scribe.
PolicyMic, an up-and-coming hard news site, has published a
review and some photos I took from Pearl Jam’s performance in Mass last week
and I couldn’t be more excited to have a new audience. Enjoy!
Wednesday, February 27, 2013
Interview: Medeski, Scofield, Martin and Wood
John Scofield just might be the greatest guitar player I’ve
ever had the honor of seeing play before my very eyes. Watching him perform on
Jam Cruise might have been the most effective guitar lesson I’ve had in my 15+
years of playing.
I had the opportunity to interview the man, the icon, along
with his cohorts, Medeski, Martin and Wood, the freak-jazz trio from New York
who accompany Sco better than any act I’ve heard to date.
Rather than ramble, I’ll link you to the interview on
Jambase.
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